o:551789 «No tendrás otros textos»: editar testimonios únicos del teatro del Siglo de Oro Actas del XVIII Taller Internacional de Estudios Textuales es El volumen recoge las actas del XVIII Taller Internacional de Estudios Textuales que se celebró en la Universidad de Perugia en marzo de 2025 y que tuvo como tema la edición de las tradiciones de testimonio único. Los artículos presentan casos de estudio de la transmisión de textos teatrales del Siglo de Oro, tanto manuscritos como impresos, y todos apuntan a extraer de sus análisis consideraciones de orden teórico y metodológico como la definición de testimonio único, las diferencias entre la edición de un texto destinado a la representación u otro destinado a la lectura, la detección del error, los límites de la emendatio ope ingenii, cuestiones de métrica y ortología, el comportamiento de copistas y cajistas y la voluntad última del autor. This volume contains the proceedings of the XVIII International Workshop on Textual Studies, which was held at the University of Perugia in March 2025, which focused on editing texts with single-witness traditions. The chapters present case studies of the transmission of Spanish Golden Age dramatic texts, in both manuscript and printed form. The aim of all the essays is to draw theoretical and methodological considerations from their analyses. These include the definition of a single witness, the differences between editing a playtext intended for performance and one intended for reading, error detection, the limits of the emendatio ope ingenii (conjectural correction), issues related to metrics and orthology, the textual behaviour of copyists and typesetters, and the author’s final intention. So far, debates on the editors’ intervention in single witness have ranged from a conservative approach which tends to leave difficult loci unresolved, to an overly corrective tendency that can irremediably distort the texts. Between these two poles, these essays aspire to establish specific guidelines for editing single-witness dramatic texts that can also be applied to multiple-witness traditions. The texts taken into account include samples from plays by Gil Vicente, Cristóbal de Mesa, Cepeda, Lope de Vega, Calderón de la Barca, Francisco de Rojas Zorrilla, and some of the anonymous playtexts copied in the late sixteenth-century Gondomar’s manuscript collection. The contributors are scholars with a remarkable experience in textual criticism in the orbit of two significant European projects on Spanish Golden Age drama: Italy’s TESPA and Spain’s PROLOPE. The International Workshops on Textual Studies were founded and directed by Luigi Giuliani and Victoria Pineda in 2004 at the University of Extremadura at Cáceres, were held at the University of Córdoba (Spain) in 2013, and moved to the University of Perugia in 2014. Francisco de Rojas • Metrics • Spanish Golden Age drama • Autorhymes • Anticipation error • Theatrical manuscripts • Error detection • Single textual witness • Textual editing and criticism • Prologues • Orthoepy • Emendatio ope ingenii • Iberian theatre of the sixteenth century • Repetition error • Manuscripts • El Grao de Valencia • AUTESO • Critical edition • Manuscript copies • El loco por fuerza • Los bandos de Sena • Theatre • Author’s last will • Textus unicus • Lope de Vega’s posthumous Partes • Siglo de Oro • Gil Vicente’s theatre • Single witness • Poetic meter in drama • Textual problems • Conjectural correction • Textus receptus • Codex unicus • Spanish drama of the Golden Age • Dramatic structure and play segmentation • Lope de Vega • Textual materiality • Editing • Comedia de la huida a Egipto • Playtexts • Textual Criticism 1552099 10.30687/978-88-6969-949-8 1552100 978-88-6969-950-4 1552100 978-88-6969-949-8 2026-03-06T10:37:49.685Z 44 yes 52 Luigi Giuliani Victoria Pineda person application/pdf 13664350 http://phaidra.cab.unipd.it/o:551789 no yes 16 70 UNIVEEDITORIA Edizioni_cafoscari 197 p Biblioteca di Rassegna iberistica 45 Venezia Edizioni Ca’ Foscari - Venice University Press 2025-12-15