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    <ns1:title language="it">Agamennone classico e contemporaneo</ns1:title>
    <ns1:title language="en">Classic and Contemporary Agamemnon</ns1:title>
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    <ns1:description language="it">Il nome di Agamennone evoca un tempo antico e primitivo, quando il potere coincide con la forza, e una storia familiare che narra di una catena ininterrotta di delitti di sangue. Agamennone è il protagonista di una biografia dolorosa, costretto a fare i conti con la maledizione che colpisce la sua famiglia e lo costringe a errori e colpe, imbrigliato dalla rivalità con il più valoroso e nobile degli eroi, Achille, da cui esce sconfitto prima ancora della sfida, vincitore di Troia, ma vittima di un destino tragico. 
Questo volume nasce nel solco di una tradizione di studi del Dipartimento di Beni Culturali e del Centro di Studi ‘La permanenza del Classico’ dell’Università di Bologna iniziata con Edipo (Edipo classico e contemporaneo, 2012) e proseguita con le Troiane (Troiane classiche e contemporanee, 2017) e raccoglie saggi sulle versioni antiche del mito, le tragedie di Eschilo e Seneca, sulle riscritture moderne e contemporanee, nella letteratura, nel teatro, nella musica, nell’arte.

Collana: Lexis Supplementi 10.
Sottocollana: Studi di Letteratura Greca e Latina 6.</ns1:description>
    <ns1:description language="en">Like its predecessors, Edipo classico e contemporaneo, edited by F. Citti and A. Iannucci (Hildesheim; Zürich; New York, 2012) and Troiane classiche e contemporanee, edited by F. Citti, A. Iannucci, A. Ziosi (Hildesheim; Zürich; New York, 2017) this new volume seeks to stage a dialogue between a Greek play and a Latin one, Aeschylus’s Agamemnon and its Latin rewriting by Seneca. 
But at the same time, this intertextual dialogue becomes, in turn, a fundamental hypotext for further and varied ‘rewritings’ of the myth and the story of Agamemnon, in plays, opera librettos, novels, films, paintings and reenactments, from the Renaissance to the present day, as many papers in this book show, with new and original insights in the ever-growing realm of Reception studies.

Series: Lexis Supplements 10
Sub-series: Lexis Studies in Greek and Latin Literature 6.</ns1:description>
    <ns1:keyword language="it">Decision-making • Cassandra • Political theatre • Opera • Aeschylus • Authorship • Guérin • Seneca • Tragedy • Uncertainty • Ancient Greek drama • Isgrò • Contemporary scene • Accius’s Clutemestra • Classical reception studies • Estrangement • Dualisms • Oresteia • Aeschylus’ Agamennon • Troades • Sicilian trilogy • Adaptation • Colometry • Iranian mythology • Agamemnon ll • Dramaturgy • Clytemnestra • Thucydides • Reception studies • Lyric-epirrhematic amoibaion • House of Names • Livius Andronicus’ Aegisthus • Formularity • Atreidae • Music • Trilogy • Power • Iphigeneia in Aulis • De Chirico • Iphigenia • Reception • Re-writing • Thyestes • Repetitions • Aeschylus’ Persae • Empathy • Plato’s Phaedrus • Seneca’s Agamemnon • Interculturality • Musical theatre • Vernacular Translations • Agamemnon • Baj • Classical Reception Studies • Pyrrhus • Re-enactment • Cleon • Metanoia • Libretto • Anagoor • Dreams • 1407-1576 • Gibellina • Pirrotta • Greek tragic style • Antonio Latella • Horses and chariots • Jan Fabre • Sophocles’ Electra • Meta-deliberation • Euripides • Prophecies • Evangelista Fossa • Mytilene debate • Orestes • Tóibín • Pacuvius’ Dulorestes • Collier • Pomodoro</ns1:keyword>
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    <ns12:reihentitel>Lexis Supplementi / Studi di Letteratura Greca e Latina</ns12:reihentitel>
    <ns12:volume>10 / 6</ns12:volume>
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