o:499940 JoLMA. Vol. 3, n. 2 - Dicembre 2022 en Translation as Interpretation | On Joseph Margolis’ Aesthetics. A Symposium Table of Contents: Ι – TRANSLATION AS INTERPRETATION Introduction – Translation as Interpretation Francesco Camera, Gian Luigi Paltrinieri Translation as the Mirror Image of Hermeneutics Carla Canullo Heidegger and the Problem of Translating the Greek Beginning Marco Cavazza In the Workshop of the Translator Walter Benjamin in/on Translation Maria Teresa Costa “Wie eine Äolsharfe vom Winde berührt” Translation in Walter Benjamin’s Early Writings Massimiliano De Villa Translation as a Test for the Explicit-Implicit Distinction Francesca Ervas Interpretation as Translation A Gadamerian Perspective Eliane Laverdure The Limits and Cognitive Resources of Translating On Paul Ricoeur’s Hermeneutics Edoardo Simonotti ΙΙ – ON JOSEPH MARGOLIS’ AESTHETICS. A SYMPOSIUM Introduction – On Joseph Margolis’ Aesthetics. A Symposium Alessandro Cavazzana Art, Artifacts, and Margolis’ Recovery of Objectivity David Hildebrand Why Joseph Margolis Has Never Been an Analytic Philosopher of Art Roberta Dreon, Francesco Ragazzi Margolis, Historicism, and the History of Aesthetics Russell Pryba Translation as Interpretation | On Joseph Margolis’ Aesthetics. A Symposium Sommario: Ι – TRANSLATION AS INTERPRETATION Introduction – Translation as Interpretation Francesco Camera, Gian Luigi Paltrinieri Translation as the Mirror Image of Hermeneutics Carla Canullo Heidegger and the Problem of Translating the Greek Beginning Marco Cavazza In the Workshop of the Translator Walter Benjamin in/on Translation Maria Teresa Costa “Wie eine Äolsharfe vom Winde berührt” Translation in Walter Benjamin’s Early Writings Massimiliano De Villa Translation as a Test for the Explicit-Implicit Distinction Francesca Ervas Interpretation as Translation A Gadamerian Perspective Eliane Laverdure The Limits and Cognitive Resources of Translating On Paul Ricoeur’s Hermeneutics Edoardo Simonotti ΙΙ – ON JOSEPH MARGOLIS’ AESTHETICS. A SYMPOSIUM Introduction – On Joseph Margolis’ Aesthetics. A Symposium Alessandro Cavazzana Art, Artifacts, and Margolis’ Recovery of Objectivity David Hildebrand Why Joseph Margolis Has Never Been an Analytic Philosopher of Art Roberta Dreon, Francesco Ragazzi Margolis, Historicism, and the History of Aesthetics Russell Pryba Joseph Margolis • Truth • Difference • Explicatures • Gadamer • Pragmatism • Knowledge • Linguistic Hospitality • Time-Space • Anfang • Translation’s theory • Hermeneutics • Cultural emergence • Mediation • Target language • Pluralism • Recognition • Language • Relativism • Walter Benjamin • Interpretation • German Romanticism • Paul Ricoeur • Heidegger • Type-token • Ambiguity • Lexical Pragmatics • Kripke • Untranslatable • Beiträge • Definition of art • Philosophy of art • Compromise • Margolis • Objectivity • Source language • Intentionality • Hegel • Messianism • Implicatures • Aesthetics • Historicism • Luigi Pareyson • Ontology of art • Pragmatic objectivity • Translation • Hybridisation • Plurality • History of aesthetics • Philosophy • Translation’s practice • Definite Descriptions • Dewey 1552099 10.30687/Jolma/2723-9640/2022/02 1552256 2723-9640 2023-05-04T14:34:22.691Z 44 yes 52 Università Ca’ Foscari Venezia - Department of Philosophy and Cultural Heritage Gian Luigi Paltrinieri person 0000-0001-7267-7561 Francesco Camera Università degli Studi di Genova, Italia person Alessandro Cavazzana person application/pdf 3908388 http://phaidra.cab.unipd.it/o:499940 no yes 16 70 UNIVEEDITORIA Edizioni_cafoscari 161-377 pp JoLMA 3.2 (2022) Venezia Edizioni Ca’ Foscari - Venice University Press 2022-12-20