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    <ns1:title language="it">Venezia Arti. Nuova serie 3 - Vol. 30 – Dicembre 2021</ns1:title>
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    <ns1:description language="it">SOMMARIO:

Editoriale
Silvia Burini    Giovanni Maria Fara

Medioevo e età moderna

Originali e copie nella Lettera di Filippo Baldinucci a Vincenzo Capponi
Elena Fumagalli

Tra originali e copie: note sui ritratti di Ottomani della collezione Giovio
Ilenia Pittui

Tiziano e la duplice metamorfosi di Callisto
Il punctum attorno a cui ruota l’originale
Alessandro Rossi

Le «copie-opere d’arte» di Antonio Guardi
La commissione Gradenigo
Chiara Bombardini

Contemporaneo

Recreated Subjects, Reconstructed Copies: Considerations on the Photographic Process
Grischka Petri

Fake or Fortune? Alexander Dorner and the Weimar Reproductions Debate
Camilla Balbi

Opere moltiplicate, opera aperta
Serialità e anonimato nelle ricerche cinevisuali degli anni Sessanta
Marta Previti

The Original – ‘Again’
Historical and Contemporary Strategies for Writing and Re/Constructing Dance
Margarita Delcheva

Dalla copia al falso al ‘secondo originale’
Percorsi di slittamento di senso e di significato tra materiale e virtuale
Laura Lombardi

Alia itinera

La figura di Daniele Farsetti collezionista negli epistolari
Ilaria Serati</ns1:description>
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    <ns1:description language="it">Le immagini sono distribuite con Licenza Creative Commons Attribuzione-Non commerciale-Non opere derivate 4.0 Internazionale. Si rinvia alle didascalie per i crediti specifici.

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    <ns12:volume>30 (2021)</ns12:volume>
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